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JOURNAL

The process diary of film director Glendyn Ivin

POSTCARDS FROM PUBERTY 2

Glendyn Ivin

Wrapped shooting on my last two episodes of Puberty Blues during the week. I found directing this block (Eps 5 and 6) different to my first (Eps 1 and 3). The first eps were all about finding what the series was. What it looked liked, how it sounded, how the scripts translated, how the drama worked, where the performances should sit and how to work with each actor. It was such an exploratory process yet at the same time we were making the series as we went along. Which I love.

But by the second block a lot of the things I didn't know the first time, which kept my eyes open wide, I now knew. This made it a little less exciting, or because it was more familiar it didn't feel as 'special' maybe and perhaps even trickier than usual to remain aware and in the ever elusive moment. But on the other hand, because we had edited and finished the first two eps, we could refine what was working and push harder on the elements that  we wanted to see more of.

In some ways this was a little like my dream model for making a feature film. Where you shoot the film, cut for a period and then go back out and shoot more. The idea being, that the first shooting period is all about finding the film, the second is about refining and adding to what you have already discovered. Building on what the story has become rather than what you thought it might be.

The downside here is that everything that was once exciting, new and fresh, isn't so much the second time round. There is a tendency to become complacent or just used to whats going on around you. I had to remain focused and often remind myself just how beautiful it is what we are doing and within the tight schedules and budget there are wonderful opportunities still there ready and waiting and well worth exploring!