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JOURNAL

The process diary of film director Glendyn Ivin

COLOUR

Glendyn Ivin

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Spent the last two weeks colour grading Penguin Bloom with Dop Sam Chiplin and colourist Trish Cahill. It’s been an absolute pleasure sitting in the dark and watching the images come to life. After an extended edit (which limped to it’s end through isolation), I had found myself a little disenchanted with the film through familiarity and fatigue. But it was an absolute pleasure to spend time sitting in the dark and watching the images filled with new life and vigour. I felt myself falling back in love with the film all over again.