JOURNAL
The process diary of film director Glendyn Ivin
Filtering by Category: Inspiration
Words from a wise guy
Glendyn Ivin
if it doesn't come bursting out of youin spite of everything, don't do it. unless it comes unasked out of your heart and your mind and your mouth and your gut, don't do it. if you have to sit for hours staring at your computer screen or hunched over your typewriter searching for words, don't do it. if you're doing it for money or fame, don't do it. if you're doing it because you want women in your bed, don't do it. if you have to sit there and rewrite it again and again, don't do it. if it's hard work just thinking about doing it, don't do it. if you're trying to write like somebody else, forget about it. if you have to wait for it to roar out of you, then wait patiently. if it never does roar out of you, do something else. if you first have to read it to your wife or your girlfriend or your boyfriend or your parents or to anybody at all, you're not ready. don't be like so many writers, don't be like so many thousands of people who call themselves writers, don't be dull and boring and pretentious, don't be consumed with self-love. the libraries of the world have yawned themselves to sleep over your kind. don't add to that. don't do it.
unless it comes out of your soul like a rocket, unless being still would drive you to madness or suicide or murder, don't do it. unless the sun inside you is burning your gut, don't do it. when it is truly time, and if you have been chosen, it will do it by itself and it will keep on doing it until you die or it dies in you. there is no other way. and there never was.
Jim Henson died 20 years ago today...
Glendyn Ivin
How DO YOU DESToRY ANGELS? SET THEM ON FIRE!
Glendyn Ivin
Trent Reznor (of Nine Inch Nails) has a new musical project called How To Destroy Angels. This is the first music video from the band (that's Trent's wife on vocals) Shot by my friend Greig Fraiser. Beautiful work.
Wow
Glendyn Ivin
Sometimes you see an image that makes you stop and stare... for hours...
Via photograpaher Jennilee Marigomen
THE IMPORTANCE OF WINNING AWARDS
Glendyn Ivin
Much more of this insanity truth here...
Chemicals and Light
Glendyn Ivin
I have been wanting to get some of the portraits of Tom and Hugo shot for Last Ride blown up and framed. As they were shot on medium format (Grieg brought his old toy Holga along) I was really keen to get them enlarged optically and printed old school stylee on fibre based black and white paper. I found a printer called Asko at CPL here in Melbourne. Asko is an artist in his own right. Carrying on the tradition of darkroom exposures, hand burning and dodging, and hand chemical development. What was once an essential photographic service (Asko told me in 1988 the company he worked for developed over half a million dollars worth of black and white prints!) is now quite a specialist area, as everything image based is in the realm of the computer. It was very cool to visit him in his dark room and see how the prints were coming along. The potent smell of the chemicals taking me back to my uni days spent in the dark up to my neck in developer.
The prints are quite large, I'm getting some 24inch x 24inch and a couple 34inch by 34inch. I'll post some framed shots when they are complete.
Heavy Metal Parking Lot (films that changed my life pt 1)
Glendyn Ivin
Last week I did guest lecture at the Victorian College of the Arts School of Film and Television. One of the things I had wanted to do for a while was just show a bunch of short films that have really effected me over the years. I think I took in about 20 -30 shorts, but I only had time to played around five, once we chatted about each of them. I wanted the students to think about why it is they want to make movies. If it's "to tell a story" or "to create worlds and characters" why not consider writing a short story or a novel? Is your 'film idea' a better idea for a painting? A song? A photograph? A stand-up routine? A newspaper article? What makes a film want and need to be a film and how do you best use the elements of cinema for your 'film idea' so it can only be a film, and nothing else, because all those other options will perhaps be easier for you and definitely less expensive and require way less people to make it happen.
One film idea I'm sure glad isn't any other art form is Heavy Metal Parking Lot. I showed this as an example of how films don't need to be huge in scale, overly planned and /or require the hearts and minds of a mulitple cast and crew. Sometimes all you need is to be at the right place at the right time and with the right attitude.
Heavy Metal Parking Lot is more than just a cultural time capsule, it's a couple of filmmakers doing what all great documentary filmmakers do. They are simply holding a mirror up and reflecting who 'we' are, in the most raw and pure of ways.
There is a great interview with Jeff Krulick who made Heavy Metal Parking Lot here, and another here with guest Dave Grohl. And also check out this excellent site Triple Canopy that not only has a pretty cool interface but also features alot of Jeffs other work, including Harry Potter Parking Lot!
5D in tha House
Glendyn Ivin
The interview is about an hour long and goes into quite alot of detail into the whys and hows of shooting one of the most popular TV shows in the world on sub $3000 DSLR camera. To shoot with the 5D (and the cameras that will soon follow) is no longer a decision and discussion based around budget, but one about creativity, control and creating a working process that most filmmakers have been dreaming of. Myself included.
I have never watched House, but I'll be certainly sitting down in front of the TV to watch this ep.
Herzog coming soon in 3D!
Glendyn Ivin
Werner Herzog talks (like Jesus to his disciples) about his new documentary about 30 000 year old cave art in France, which he has shot in 3D!
Obsession
Glendyn Ivin
Right now it's Neil Young. This happens a couple of times a year.
You know when you go through those stages where you get so into an artist/album/song, you kind of wish your whole body was an ear.


7Delicious
Glendyn Ivin
I'm totally amazed by the music video below. Over 8 minutes long and beautifully shot on the Canon 7D. Have a look at it, it's stunning. And it was shot with a CREW OF TWO people. One being the singer! On a camera you can buy for around $1500. Epic!
Small crews, small cameras. Less fuss, less logistics, freeing you up for so much more actual film making! I find this kind of thing totally inspiring for so many reasons. Some of which I'll go into more detail when I post the 'Sound Maker' film here (hopefully in the next week or so...)
Along with the minimal fuss approach to the filming, what these guys have done so well is choose great (public) locations, that are already lit and look great. This is where the Canon 7D / 5D's excel, in low light. So not having to use expensive film lights, opens up the possibilities, everything out in there in the perfectly lit city is ready and waiting to be utilised and pre-lit location. That said, the sequences shot in the snowy / foggy forest are equally amazing!
Here is a brief 'making of' the 'Break My Soul' video. And a few more details here.
R.I.P Jim Marshall
Glendyn Ivin
Cool city. Cool clip.
Glendyn Ivin
I must be missing Philly. I watch the film Philadelphia, which is a far greater film than I remembered it to be, and now awake in the middle of night due to jet lag I'm trawling YouTube for cool clips about Philly, so I can see it again through somebody else's eyes.
A few seconds from my New York minute...
Glendyn Ivin
I was able to get to a couple of my favourite places as well as stumble across a few new ones. I think thats what I like about NY so much. You can wander off in any direction and find great things just waiting there. It's Disneyland for adults!